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Don Carlos Kritiken

Elisabetta in Mainz

State Theater Mainz 2002

"...Elizabeth Hagedorn interpreted the soprano role of the Queen with vocal brilliance and graceful gestures, which remained full of intensity even in the smallest detail: noteworthy not only the final aria 'Tu che le vanita', but also her magical awakening from the jewelry-box induced faint, out of which she, still half prone, climbed into the highest register with a delicately floating pianissimo"

Johannes Bolwin, Rhein Main Presse 23.09.2002

"...Elizabeth Hagedorn is a not only vocally slender Elisabetta with captivating high piano tones. "

Rudolf Jöckle, Frankfurter Neue Presse 24.09.2002

"...Vocally, the memorable impressions are provided by Elizabeth Hagedorn as Elisabetta. The soprano convince through delicate, heart-felt piano tones as well as through well-formed and expressive phrasing."

Karl Georg Berg, Die Rheinpfalz 25.09.2002

"...Elizabeth Hagedorn plays a Queen of truly regal presence, with an often darkly timbred voice, which, in moments of extreme suffering, wound its way up into painfully pure heights. "

Benedikt Stegemann, Frankfurter Allgemeine Zeitung 23.09.2002

"Elizabeth Hagedorn überzeugte als Königin Elisabetta wiederum durch enorme Bühnenpräsenz und von den hauchzarten Pianissimo -Höhen bis zu den brüstigen Tiefen."

Volker Funk, Der neue Merker Wien, Oktober 2002