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Marie in Meiningen | |
"Elizabeth Hagedorn is an attractive Marie, clearly showing her character's longing for life, but who has all the vocal resources to express desperation. She is equipped with the unusually wide range (e-c# ''' !) required for Marie...."
" 'Nocturne with a powerful woman' -
...a soprano with lyrical power and dramatic
furor, at maximum voltage from the very first scene... pure emotion ..."
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Leonore in Meiningen | |
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Chrysothemis in Meiningen | |
"... with a powerful, expressive soprano voice, she developed a very individual interpretation, beyond all convention ..."
" 'Intoxicating' -
... the form of her singing, her flexible line and the free, shiningly rounded high voice,
the sorrowful expressiveness ... the unstrained power ..."
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Maddalena in Meiningen | |
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| Senta in Meiningen | ||
"... supple vocalism ... with fine, melting lyricism,
and a brilliant, free upper range, and later through pain-filled,
despairing expression..."
"A truly ideal casting, to which one can only congratulate the house."
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Mona Lisa in Meiningen | |
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Salome in Mainz | |
"...a singer-actress whose stage presence and youthfulness remind one of the young Anja Silja. Her voice however is more beautiful ..."
"...a dramatic intensity emcompassing blazing emotional outbursts..." "
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Tosca in Mainz | |
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Ariadne in Mainz | |
" ... a grandiose
Ariadne ... nerve-rending intensity ..."
"Elizabeth Hagedorn knows how to vocally transport the clear sensitivity of Ellen Orford just as convincingly as the brittleness which arises out of her involvement in the fate of the Grimes' last apprentice."
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| Peter Grimes in Mainz | ||
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Giorgetta in Mainz | |
" ... great passion and great love, dancing flirtatiously or lamenting, everything is convincing ..."
" ... ... a voice capable of balancing artfully between innocence and suffering..."
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Agathe in Mainz | |
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Elsa in Mainz | |
"Elisabeth, la giusto donna di Lohengrin - ... a blond, tender beauty, that with her long hair and skyblue eyes fabulously embodies the fragile heroine ..."
" ... with vocal brilliance and graceful gestures
... full of intensity even in the smallest detail .... climbed into the highest register with a delicately floating pianissimo ..."
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Elisabetta in Mainz | |
"... the clear, sure in the broad phrases, controlled with elan and the radiant high notes of the soprano voice of Elizabeth
Hagedorn suited wonderfully ..."
